Description
Wright discusses how the manuscript used to be made, describing the style of the capital script and of the illustrations in addition to their sources in older classical traditions. He examines the Vatican Vergil for instance of the revival of classical culture in pagan circles in Rome at a time when Christian authority used to be systematically suppressing pagan religion. In the end, he surveys the “afterlife” of the codex, tracing how the work used to be studied and copied first in the Carolingian era and then in the Italian Renaissance. The entire illustrations not reproduced in color are given at full size in black and white in a concluding list of the illustrations that have survived on this unique masterpiece.